Uffizi Gallery
Walk into the Uffizi and you are really walking into an 'office block.' In 1560 Cosimo I, Grand Duke of Tuscany, wanting to bring thirteen of Florence's important administrative offices together under one supervision, commissioned Giorgio Vasari to design this U-shaped building—uffizi simply means 'offices' in Italian. In 1581 his son Francesco I turned the top-floor loggia into a private gallery to display the Medici collection, and so the Uffizi became one of the earliest museums in Europe. Its holdings today span the twelfth to the eighteenth centuries, with the most complete collections of Raphael and Botticelli in the world, along with masters such as Giotto, Titian, Leonardo and Caravaggio, and it is regarded as the world's foremost collection of Florentine Renaissance painting. In 2024 it received 5,294,968 visitors, making it the most visited art museum in Italy.
Italy · 10 The overlooked corners inside
The overlooked corners inside
Vasari Corridor
Look up at the row of small windows running along the top of the Ponte Vecchio and you're looking at an invisible power route. The Vasari Corridor is an elevated passageway — roughly 760 metres long — that links the Palazzo Vecchio through the Uffizi, across the top of the Ponte Vecchio, and all the way to the Palazzo Pitti on the far bank. Cosimo I de' Medici ordered Giorgio Vasari to build it in 1565, so that the Medici family could move quickly and safely between their residence and the seat of government at a time when the city was still half-suspicious of the new regime. Most striking is the build time: work began on 12 March and the corridor was complete by 17 December of the same year — nine months, start to finish.
Sources: it.wikipedia.org
Contini Bonacossi Collection
The paintings, sculptures and decorative objects hanging in this section of the Uffizi are the survivors of a tug-of-war that nearly sent the collection abroad. The Contini Bonacossi Collection (*collezione Contini Bonacossi*) was the private holding of Alessandro Contini Bonacossi (1878–1955), an antique dealer and collector, and his wife Vittoria. Their heirs donated it to the Uffizi in 1969. Mussolini had made Alessandro a life senator of the Kingdom of Italy; in return, Alessandro promised to keep the collection in Italy, while retaining the right to use it during his lifetime.
Sources: it.wikipedia.org
Drawings and Prints Room
This room holds the Uffizi's least-visited and arguably most significant collection: around 150,000 drawings, prints and miniatures spanning the late fourteenth century to the twenty-first. It occupies the ground floor of the museum, in a space rebuilt from what was once the Medici Theatre (*Teatro Mediceo*). The roots of the collection go back to the Medici themselves — Lorenzo the Magnificent already had drawings in the family holdings, and Cosimo I, according to Vasari, owned 'various drawings, sketches and cartoons' by Michelangelo and Piero di Cosimo; under Francesco I the collection expanded to include large holdings of drawings by Giuliano da Sangallo, Michelangelo and Leonardo. The collection's modern scale was established by Cardinal Leopoldo, brother of Ferdinando II: he sent agents across Italy and beyond to buy drawings by both contemporary and old masters, and by around 1665 the historian Filippo Baldinucci had catalogued approximately 12,000 items.
Sources: it.wikipedia.org
Uffizi Library
The floor beneath your feet in the Uffizi Library once held an audience of three hundred. The space was originally the Teatrino della Baldracca — a small hall named after the neighbourhood's disreputable past (brothels and taverns clustered nearby, giving the *Baldracca* quarter its name) — where paying members of the middle class could watch *commedia dell'arte* performances. In the early eighteenth century Pietro Leopoldo commissioned architect Giovan Battista Foggini to convert the theatre into a library; Foggini also designed the shelves and cabinets that are still in use today.
Sources: it.wikipedia.org
Room of Niobe
The Room of Niobe was the most severely damaged space in the 1993 bomb attack. On the night of 27 May of that year, the Mafia detonated a car bomb on the Via dei Georgofili (see the Via dei Georgofili bombing entry), killing five people and causing heavy damage to several rooms in the Uffizi's west wing. The classical sculptures and neoclassical interior of the Room of Niobe were badly hit; the room's frescoed ceiling was subsequently assessed as beyond repair, though the room itself has been restored and is open to visitors. Some paintings in the museum survived because they were protected by bullet-proof glass; five artworks were completely destroyed in the blast.
Sources: en.wikipedia.org
Uffizi Gallery
The Uffizi Gallery (*Galleria delle pitture e delle statue degli Uffizi*) is a painting an… 🔒 Unlock the full guide
Sources: fr.wikipedia.org
Tribune
The Tribune (*Tribuna degli Uffizi*) is the octagonal hall at the end of the east corridor… 🔒 Unlock the full guide
Sources: it.wikipedia.org
Door of Petitions
The Door of Petitions (*Porta delle Suppliche*) is a gateway on the Via Lambertesca side o… 🔒 Unlock the full guide
Sources: it.wikipedia.org
Via dei Georgofili Bombing
In the early hours of 27 May 1993, a car bomb exploded on the Via dei Georgofili, killing… 🔒 Unlock the full guide
Sources: it.wikipedia.org
Orcagna, St Matthew and Scenes from His Life
This large triptych carries an unfinished story. On 15 July 1367, the Florentine Money Cha… 🔒 Unlock the full guide
Sources: uffizi.it · en.wikipedia.org
FAQ
What overlooked corners are worth seeing inside Uffizi Gallery?
Vasari Corridor, Contini Bonacossi Collection, Drawings and Prints Room and more — 10 spots in all, each with sources and a guide in your language to read or listen to on the spot.
Is the Uffizi Gallery guide free?
The first 5 spots are free to read; the other 5 unlock with a one-time purchase (not a subscription).